First up, Karma deserves credit for being ambitious in its technical departments. The film was shot with a Red One system, and its Hollywood-style cinematography and its set design are evidently meant for bigger things.
Much bigger things than an incoherent script.
Designed to be a supernatural thriller, Karma takes too long to clearly come out with what it really intends to speak about. It is an NRI tale that wants to exploit concepts like underground cults, but ends up looking like an empty art film.
The problem starts with the choice of the heroine; why woul....