You might say director Praveen Sattaru has made a mark in Telugu cinema. His movies are instantly recognisable for their urban aesthetic, metrosexual heroes, and fast-paced action sequences. Sadly, that's not all they are known for. As we saw in Ghost (2022), and see now again in Gandheevadhari Arjuna, he uses every old spy-agent-action-hero trope in the book to tell his stories. Stripped of authenticity, his characters, even at their most vulnerable, are unrelatable and shallow. You don't care about these people because their backstories are full of far-fetched coincidences.
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