Think of all the British films that you remember, without thinking too hard. If you are a regular moviegoer without the intellectual snobbery of a film buff, chances are that the names you can come up with will include the more commercially successful and easily accessible Four Weddings And A Funeral, Notting Hill, Bridget Jones's Diary (and its sequel, Bridget Jones: The Edge Of Reason), and Love Actually.
And all these films have one thing in common - the writer, Richard Curtis. So when this highly successful man (also the director of Love Actually and The Boat That Rocked) ma....