Despite all the awards and adulation Naa Bangaru Talli has commanded, a South-Indian film tackling this kind of subject cannot help but strike trepidation in the hearts of reviewers. About 15 minutes into the film, though, is all it takes for you to offer fervent thanks for the fact that you still have proponents of the alternative genre who believe that a worthy subject does not have to entail a montage of misery and pain that engenders not a smidgen of empathy among its viewers.
Naa Bangaru Talli begins in Amalapuram with the story of a bright young girl named Durga (Anjali Pa....
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