Stree

Every group of film lovers has a that one "smart" filmgoer. That one guy/girl whose sole reason for existence it is to point out that every single new release we common folk admire has at least one scene that was "stolen" from a film made in Korea or America or, in some cases, Norway. He/she is bound to either feel a sense of pride by displaying their know-how of the global cinematic landscape or dismay in pointing out the state of Indian cinema today.

We here are a conflicted bunch. We broadly agree that most art is derivative to a certain degree, but in the same breath tend t....