The advertisements come to a halt. The CBFC's accreditation certificate flashes on screen, quickly followed by the disclaimer ('All names and characters in this film...' blah, blah, yawn).
Then suddenly, the Dolby Surround Sound thunders awake; the ground beneath your feet begins to vibrate to decibel busting beats. Grooving stylishly and in sync are a bevy of young, energetic actors and extras. Yes, it looks like the beginning of director Sinha's previous Dus.
And it's not restricted to merely the beginning. All across Cash, Sinha uses the same formula, to the same atten....