In Chandigarh Kare Aashiqui, we have yet another Ayushmann Khurrana-starrer that deals with a sensitive topic - the kind Indian people are uncomfortable talking about in a public setting - smartly packaged as a mainstream masala entertainer in order to appeal to the masses.
It's also quintessential Abhishek Kapoor fare. We all have a certain amount of respect for Kapoor, primarily because he respects the audience as much as someone from mainstream Bollywood possibly can. His movies, for the most part, do not require a very heavy suspension of disbelief. Chandigarh Kare Aashiqui ....
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