Viewing Maatr is like driving a car on an extremely familar route to the destination. The lanes and cul-de-sacs are all quite known. Maatr is Raveena Tandon's proper comeback film (she had just a cameo in Bombay Velvet), and sadly a thoroughly disappointing one.
Women-centric films are undeniably the need of the hour. But there is a difference between making a point and force-feeding it to the audiences. Sadly, Maatr gradually does the latter. Tandon, who plays a teacher, is conveniently harping on about Raja Ram Mohan Roy and his struggles for women empowerment to her students.....