There are few filmmakers on this planet who have the talent to portray designer crime in its most artistic costume. Guns are held at odd angles, bullets fly, empty cartridges drop to the floor; coat-tails sway to the wind; all this and much more.
When one hears of this, John Woo comes to mind instantly - the master of this art. And even though he is only the executive producer of this film, his influence is clearly visible. Especially in the scenes that should be having his signature - like a quick slow motion in a very leisurely scene, simultaneous draws of guns by two people, ba....
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