Call it the Puri Jagannath influence. Otherwise, how would one explain the queer obsession that directors these days seem to have with titles that are nothing more than abuses? A month ago, we had Donga Sachinollu, and now this. Pokiri, Idiot and Desamuduru were successful because of the content, the cast, and the packaging, a point seemingly lost on directors like Ramalingeswara Rao.
Anyway, Rao joins the company of directors of films like Poramboku and Stupid with this mishmash of a film. Yes, it is a muddled movie all right; worse, the director takes it upon himself to preach hom....