It’s hard to feel gung-ho about something from the stable of Usha Kiron Movies. The label has unfortunate pointers within your head: low-budget casting, social themes, zero slickness, continuous deafening advertising on their captive media until you shudder in aversion (even if the film is now showing in just one theater in Hanumakonda), and films generally targeted at your parents, not you.
Yes, films from Usha Kiron usually belong in the same sentences as ETV and Eenadu – not for the cosmopolitan urban populace, and mostly out of sync with the youth of the m....
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