We could rant about how there is a part of the Telugu cinema industry that continues to make money off crassness. We could rant about how talent-treasures like Kota Srinivasa Rao and Allari Naresh are badly underutilized.
We could rant about how - in making half-naked women perform crude dances in vulgar bachelor-party item songs, while basing half a film on a foul-mouthed "society" bitching about how a woman can sleep with her lover before marriage - some of our filmmakers don't know the first thing about differentiating between prudishness and hypocrisy.