7 years ago, something happened. It changed things. It made us fall in love with the Hyderabadi culture (the kind we see as ours, and the kind we let vicariously amuse us), and spawned this, this, this, and this. It showed us that the city has an entire genre of worth of cinema hidden within. And, like all others, this one too has its share of the good, the bad, the ugly.
Ek Tha Sardaar is one that is particularly hard to place. The story itself is straight out of Stereotopia (a pulled-out-of-behind amalgamation of stereotype and Utopia). It begins with the death of Sardar (Moha....