First there was DDLJ, half of which had a marital background, and then there was KKHH, which had a marital climax. And Yash Raj films continues with its obsession with marriages. This movie however outdoes all the earlier ones, as it is all about marriage - right from the title to the credits at the end.
Bracing myself against the veritable flood of tears that most of these films have and the tons and tons of melodrama they usually bury you under, I tentatively ventured forth. To add to my apprehension was Uday Chopra who had done a pretty good job of bugging most of the audience in Moh....
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