The Nagarjuna - Raghavendra Rao devotional films have become a genre unto themselves. A slightly revisionist take of devotee dramas that are very conscious and cautious of the commercial appeal and narrative tautness needed, to the extent that they never shied away from comedy tracks, cleavages and the timeless fruits-on-the-navel routine. But be it the evergreen Annamayya or the almost equally good Sri Ramadasu, what outshined all this desperate glamourization and blatant exaggeration is how consistently excellently Nagarjuna fleshed out his performances every time.
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