“Chaala undiraa neeku,” mutters Krishna Bhagawan sardonically of Sivaji in the rather cryptically titled Tata Birla Madhyalo Laila. That’s kinda true of the film too - it’s been in the news primarily for being the swansong of Laya, but it does have more than you expect. It’s a bug-free rib-tickling comedy for those moments when you want to feel artificially happy, since the world isn’t conspiring towards that.
The comedy in TBML is more situational and contextual rather than plot-driven – it is more like a book of jokes by a carto....
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