Mad Max goes back in time, William Wallace becomes Benjamin Martin, and Roland Emmerich abandons futuristic disasters for the 'glorious' past: The Patriot couldn't be more of a compromise - although, at first, I didn't really mind the last one. This movie sticks to the current trend of packaging history with contemporary language and attitude thrown in. The fact that it becomes a lot more easy to relate to is negated by a tortuously simplistic depiction of the American war of independence.
Martin is a self-sufficient farmer in South Carolina. Haunted b....
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