Meher Ramesh bases most of his movies on the lives of mafia dons. All the said dons live in Malaysia, and are always accompanied by skimpily-clad molls who do nothing but pose prettily at the edge of the frame. And however big a don he might be, he will die at the hero's hands in the aluminium factory set common to a million Telugu movies.
Shadow is no different. The movie seems to have been made for a Venkatesh 20 years younger than he is now, and hence also has a script that should have been written 20 years ago. It attempts to mix Meher Ramesh's brand of filmmaking, Venkatesh....