Having first-day-first-show tickets to Chiru's latest is not always a good thing. How can you face the delirious mob waiting hopefully outside the theater in the heat and tell them the movie doesn't live up? How can you say this
and keep all your teeth? Shankar Dada is no Munnabhai. As an entertainer, it clocks a steady, if not spectacular, 2.5 on the entertainment-scale.
There are two ways to remake a popular film; in spirit or in word. Shankar Dada sticks doggedly to the second approach. Sad, because it had some brilliant elements to play around with: Chiranjeevi's instinctive sense of comedy; the chemistry he shares with his bunch of cronies, Srikanth, Venu Madhav and others; and the immense rib-tickling potential of Hyderabad's local flavor. Instead of working with its natural strengths, Shankar Dada takes the easy way out and does a copy-paste job.
The audience only goes crazy at two points: when Chiru dances, and when Dada distributes
gyaan in English. This second sequence is hilarious, with idiomatic gems like "Vulture eats 100 buffaloes, cyclone come, dead" or the more ironic, "In front is crocodile festival". The characters also come alive when any local reference of this sort is made. Otherwise, the film is just an instant translation of Munnabhai MBBS, minus the magic of surprise.
You know the
story. Shankar is the biggest don of underworld Hyderabad, who runs a charity hospital for ten days every year, when his parents come visiting. Amma and Naanna (Girish Karnad) think their son has grown up to become a philanthropic doctor, when actually he is the clown-prince of
goondadom. When they find out the truth and leave heart-broken, he swears, in a drunken stupor, to become a doctor if it's the last thing he does. And it damn near is too.
Shankar's arch nemesis and the J Dot Asthana of this enterprise is Dr. Ramalingeshwara Swamy or Lingam
maava, as Shankar likes to call him. Paresh Rawal does what he can, but he's neither as pompously authoritative nor as funny as Boman Irani. Lingam
maava is the dean of the medical college and has a daughter that Shankar has his heart set on, Sunita (Sonali Bendre). So our hero's ultimate ambition is to pass all his exams and get hitched with his enemy's daughter.
With a little help from his
bhai log, Shankar manages both feats and spends the rest of his time going about college, handing out hugs and good cheer. Srikant plays his Man Friday, ATM (Any Time Murder) with style, and a great
tapori acccent.
Shankar Dada MBBS differs from the original for certain obvious reasons. For one thing, this movie's ending has a bit of a twist, mainly to insert a few stunts. Some the special effects in this bit are clumsy, and it works mainly because Chiru gets to flex those muscles.
Secondly, the presence of a 'mega star' tips the scales to make the film more hero-oriented. Every song and almost all scenes are Chiru's. He carries them off with total ease; just wish he had more to work with. For best results, avoid all comparisons with the original. If you can manage to do this, please tell us how.